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SKU: 94851
Paul Reed Smith VIOLIN AMBER BURST-Killer Artist grade Flame maple top and back with Mahogany center, Paua Birds, Wide fat neck, PRS PIEZO system with adjustable Stop Tail piece, Gold hardware, phase II locking tuners, Archtop pickups, #94851 more information »
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SKU: GS16753
The Killer Wah overcomes the classic faults of the wah, while preserving the original circuit design. The mode selector provides a variety of curves for greater flexibility. A custom-wound and potted inductor coil cancels noise and reduces microphonics. A bypass switch has an extra pole to remove the circuit load which can muddy and weaken the signal. Considerably warmer and more musical than conventional wahs. more information »
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SKU: GS16747
Now you can plug your acoustic instrument direct to a mixer or with either an electric or acoustic guitar amp, and still keep your natural acoustic tone. Mic emulation eliminates unnatural harmonics associated with piezo pickups for a more natural, miked sound. Also features treble or bass controls that cut or boost 12dB; parametric mid EQ allow you to notch out frequencies to remove feedback; effects send and return make it easy to add effects. Also functions as a standard DI. Operable with phantom power, 9V battery, or 9V DC power supply. more information »
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SKU: GS16810
The Boss RC-2 Loop Station not only records, layers, and loops, it also provides a wealth of other handy and powerful features in a pedalboard-friendly stomp box. You get rich looping features like jam-along Rhythm Guide, Auto Start, Tap Tempo, Loop Quantize, and Undo/Redo functions.
In traditional Boss fashion, the RC-2 benefits from a clean and friendly user interface. As powerful as this little Loop Station is, it's a dream to operate. The clearly labeled buttons and knobs put everything directly under your fingertips with no hidden menus or commands to impede the creative process.
Due to its standard compact-pedal shape and size, the RC-2 fits perfectly alongside other Boss pedals. Great for fast setup and convenient transportation.
The RC-2 stomp box can record and store up to 16 mono minutes of audio, either from your own instrument or other external input devices, such as MP3 players/recorders. Each of your layered loop creations can be stored to one of 11 internal patch preset locations.
Boss RC-2 Loop Station Effect Pedal Features:
Up to 16 minutes of record time
Loop quantize for perfect loop timing
Realistic guide-tone drum patterns built in
Easy, logical overdubbing and navigation
Undo / Redo function
11 phrases can be stored and recalled
Aux input to capture phrases from external audio device
External pedal input (stop/tempo)
Record, layer, loop, & store
Expand your creative potential.
more information »
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SKU: GS16607
Four channels; 150 watts of power; and two separate, sixteen digital effects sections! The tube preamp drives the Clean, Overdrive 1 and Overdrive 2 channels with an added acoustic simulator channel (makes any electric sound like an acoustic). Because all four channels are footswitchable (switch included), this amp gives guitarists ample versatility on stage. Two digital effects sections enhance this flexibility. One section is dedicated to the clean and simulator channels, the other to the overdrive channels. All effects are tweakable via mix, adjust, and select knobs; and are on/off footswitchable. With 150W driving a Celestion 12" (custom-designed for the AVT series), this amp cranks without losing focus. Headphone jack, speaker emulated line out, and an effects loop with level and front panel mix control. Like all the AVTs, its pre-amp section is based on a 12AX7 and delivers great tone. Includes FS-06D footswitch. more information »
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SKU: 2006.122
TAYLOR GUITARS- GSMS-6 STRING, with expression syetem
Type/Shape 6-String GS
Back & Sides Big Leaf Maple
Top Sitka Spruce
Soundhole Rosette Abalone
Neck Hard Rock Maple
Fretboard Ebony with Binding
Fretboard Inlay Abalone Dots
Headstock Overlay Indian Rosewood
Binding Ivoroid
Bridge Ebony
Nut & Saddle Tusq
Tuning Machines Gold-plated Taylor Tuners
Strings Elixir® Medium Gauge Strings with NANOWEB® Coating
Scale Length 25 1/2 Inches
Neck Width at Nut 1 3/4 Inches
Number of Frets 20
Bracing Scalloped, X-Brace
Finish Gloss
Cutaway None
Electronics None
Body Width 16 ¼ inches
Body Depth 4 5/8 Inches
Body Length 20 Inches
Overall Length 41 Inches
Case GS Series Deluxe Hardshell
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SKU: GS16720
The Bass pickup of choice since it was developed. The EMG-P, like all the original EMG's, went through a redesign in 1979. The original "Embossed EMG Logo" model made everybody sit up and listen. The pre-79 models are still used by players like Lee Sklar and Alphonso Johnson. More than just a few have gravitated to the EMG-P for stage performance and studio recording. The EMG-P uses short, squat coils that have very little resistance and plenty of inductance. Because the coils are not in series like the passive types, there's about twice as much low end as a passive pickup. Ceramic magnets are used to add clarity. Countless pros use it because they find it has a natural presence, powerful lows, punchy midrange, and superior definition. The EMG-P features hum-free noiseless operation with an even timbred response. The P design was adapted for Ned Steinberger and became the EMG-SS (Steinberger Sound) used exclusively on the Steinberger Headless Bass. In order to make the composite bass sound more natural, we added steel poles for warmth and midrange. In addition to the standard EMG-P Pickup, the EMG-P5 and EMG-P6 are available for use in five and six string basses respectively.
more information »
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SKU: GS16808
The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to the 50Hz, the GEB-7 is great for adding depth and bottom end.
50Hz to 10kHz frequency range specifically designed for bass
Full range response, even for five- and six-string basses
Can be used as a "boost" or "cut" pedal using the level control knob
AC adaptor or 9V battery operation
Five year warranty
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SKU: GS16535
Protect your investment with a genuine Fender cover.
Fender Blues Junior Combo Amp Features:
Fat tone at moderate volumes
15W tube power
12" speaker
Fat switch with footswitch jack
Spring reverb
Black covering
Chicken head knobs more information »
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SKU: 114701
Paul Reed Smith SINGLECUT SEMI-HOLLOW, DARK CHERRY BURST, birds, Wide Fat, Anodized Stop Tail, 3 way switching, #7 Pickups, Phase II Tuners, Semi-Hollow Mahogany Body with 10 top grade flame, Mahogany neck with Brazilian Rosewood fingerboard, hybride hardware, 114701 more information »
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SKU: GS16632
Exceptionally quiet EQ with silent FET switching. 7 bands of EQ in the optimum range for guitar. Provides 15dB of either cut or boost in each selected range. more information »
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SKU: GS16768
This lower output pickup has a great combination of rich, warm bass with sweet "angelic" high end. The tone is perfect. Beautiful for solos and rhythm. Vintage alnico and vintage winding. All styles of music. 3 wire conductor for 3 way toggle w tap or for rotary set up on PRS 5 way. With gold pole pieces
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